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As a reviewer, you sometimes
run across records and players that just kind
of make you sigh and realize there's so much
guitar that you know nothing about. This is one
of those. It features Bob Sneider
on guitar and Paul Hofmann on piano. That's all,
no other instruments. But, you never miss any sounds.
The two carry the all music without any problem
at all. The songs are full and complete, whether
they're originals or covers.
Sneider has toured as Chuck Mangione's guitarist,
but his skills go way beyond that gig (no offense
Chuck). On pretty much every cut and on interplay
with Hofmann, he proves to be a fantastic soloist,
a fine composer, and an interpreter of high level.
Check out "Rumblin'", a guitar tour de
force, with its bluesy opening and nice unison
playing with Hofmann. The sound of the tunes captures
your ear immediately with finely-placed dissonance.
Their take on "Desafinado" should rank
as one of the best covers of that old warhorse.
Both players solo brilliantly and meet in the middle
for a unison flourish that will leave you smiling
and shaking your head.
Don't think two people with no drummer or bass
can swing? Give a listen to Gershwin's "Bidin'
My Time". They open the CD with four interwoven
songs and call it "Jazz Suite for Guitar and
Piano." It's an amazing piece for a number
of reasons. The playing is
always fantastic, the
piece is contemplative and meditative at times
and frisky and playful at others. It's an ambitious
piece (as is the whole record) and it works amazingly
well.
Duo work is nothing new in this setting. In the
past couple of years, Benny Green and Russell Malone
have done a couple of fine records. Then there's
Jim Hall and Bill Evans' Undercurrent and Intermodulation (which
this record obviously tips its cap to, given its
title). Interconnection must be placed
with those records. It's an
impressive, extremely listenable piece of work.
—
Vintage Guitar August,
2004
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