Recasting the musical vocabulary of the past is the task taken on by drummer Ray Marchica and his quartet of guitarist Jones, bassist Plaxico, and tenor saxophonist Avery as they sift through the mainstream of Jazz on In The Ring. Marchica takes a dominant position on all tunes; he mixes in plenty of rhythmic emphasis and powers the group with his aggressive, beat-driven drumming. Jones and Avery are the prime upfront soloists who maneuver into Bebop, funk, post Bop, and other groovy straight-ahead disciplines. Marchica’s presence is prominent in most cases, yet the leader gives plenty of space to the soloists. They attempt to instill new meaning into several well-established improvising vehicles. Avery blows with assertiveness. He swings through the changes pouring on the heat before handing the reins to Jones, who likewise dives in headfirst with fast-paced improvisations.

The recording includes two tunes each by Jones and Marchica sandwiched in between the familiar pieces. These original songs allow the band to breathe more openly as they express an independent attitude. Jones’ “Journey’s End” cooks as both he and Avery crank things up a notch, and his “Minor Mishap” is a look back at the Hard Bop format and its characteristic mid-song tempo changes. Behind (really in front of) it all, Marchica cranks out reams of drum motion as he demonstrates his locomotive technique. “I Can’t Get Started” and “Summertime” close the set and are performed commendably, but the possibility for grabbing and holding one’s attention is difficult within this straight-forward style. Marchica shows strength and vitality in his playing, yet he is totally into time. Allowing the spirit to venture outside the lines could enhance the creative process.

—Frank Rubolino
November 2005
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